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Everything we've ever posted about authorial intent:

the meaning an author intended to convey, discerned from the text’s words, genre, and historical context.

Vector-style artwork of a cheerful young man crouched beside an open file box, reading a letter with a captivated expression.
Article

Reading Someone Else’s Mail

Many believers unintentionally open someone else’s mail in Scripture—claiming promises or commands never addressed to them. The key is learning the difference between primary application (what it meant to the original audience) and secondary application (what we can learn from it). When we read the Bible’s letters as they were sent, God’s voice grows clearer, not smaller.

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Vector-style illustration of a woman speaking toward a light prism that refracts her words into beams of magenta, indigo, and gold light.
Article

Words are Bridges

Not every word is a truth-claim. Some, like Paul’s “idol meat,” live in the gray—morally neutral until love decides how to use them. What if pronouns are like that? Not worship, not denial—just language as bridge. Sometimes faithfulness looks less like resistance and more like discernment.

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Bold vector-style cartoon illustration of the word ‘FAITH’ viewed through a magnifying glass. The lens refracts the letters so part of the word appears misaligned and in a duller color. The design uses flat colors of dark teal, purple, pink, gold, and black outlines in a clean street-art sticker style.
Article

The Invention of “Saving” Faith

For centuries, James 2 has been read as teaching two kinds of faith—“true” vs. “demonic.” This essay shows how that split stems from Augustine’s Latin Bible and the Donatist fight, not James. Restore the dialogue cues, and the passage calls believers to live their shared faith, not classify it.

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Bold vector-style cartoon illustration of a compass rose with alternating purple and gold points. Around the compass are small icons: (clockwise starting at the top) target, brick, magnifying glass, scroll, book pile, globe, clock, tornado, line graph, speech graphic, chain links, and DNA strand. Outlined in thick black lines with flat gold, purple, pink, and teal colors in a clean sticker-like style.
Article

The Context Compass

Interpreting Scripture can feel like wandering in the wilderness—every verse pulling a different way. The Context Compass (C12) offers bearings: twelve “directions” of context that orient us to author, history, genre, and theology. Not a rigid map, but a compass—guiding readers toward clarity without losing the text’s voice.

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Vector-style cartoon illustration of four people standing in a police lineup, each holding a numbered placard. From left to right: a man in a headwrap with the number 1, a woman in a headscarf with the number 2, a man in a jacket with the number 3, and a woman with short dark hair wearing a pink shirt with the number 4. Behind them are lineup height lines. Outlined in thick black lines with bold flat colors, the design has a clean, sticker-like style on a transparent background.
Article

Who Said That?

The Bible is God’s Word for us—but not every line was written to us. Confusing the author, recipient, speaker, and audience can twist meaning and create contradictions. Learning to track these “four parties of Scripture” clears the noise and lets us hear God’s Word as it was meant.

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Article

The Problems of Allegorical Interpretation

When allegorical interpretation ignores grammar, history, and authorial intent, it breeds chaos—overloading words, merging unrelated contexts, and inventing hidden codes. The result is subjective “truth” that weakens Scripture’s authority. Here’s how these errors work—and what to do instead.

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